SFMOMA Artcasts Web Feed
SFMOMA Artcasts 
Sun Jan 24 11:56:54 EST 2010
Home: http://www.sfmoma.org/pages/audios
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SFMOMA Artcasts: June 2009 (enhanced) - A tour through the museum's new Rooftop Garden explores what sculpture is - how it functions in space and how artists give new meaning to forms and materials. Hear artists and curators discuss the range of sculptures, strategies, movements and periods of time represented in the garden.
SFMOMA Artcasts: June 2009 (no images) - A tour through the museum's new Rooftop Garden explores what sculpture is - how it functions in space and how artists give new meaning to forms and materials. Hear artists and curators discuss the range of sculptures, strategies, movements and periods of time represented in the garden.
Stop 530: Alexander Calder, "Big Crinkly" (Rooftop Garden Audio Tour - enhanced) - Curators Janet Bishop and Gary Garrels on Calder's playful sensibilities, and the ways in which this sculpture responds to its environment. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 529: Ellsworth Kelly, "Stele I" (Rooftop Garden Audio Tour - enhanced) - Curator Gary Garrels discusses the different ways in which Ellsworth Kelly's "Stele I" marks the passage of time. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 528: Barnett Newman, "Zim Zum I" (Rooftop Garden Audio Tour - enhanced) - Curators Gary Garrels, Alison Gass and Peter Samis discuss the spiritual background behind Barnett Newman’s "Zim Zum I." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 527: Mario Merz, "The Lens of Rotterdam" (Rooftop Garden Audio Tour - enhanced) - Curators Apsara DiQuinzio and Gary Garrels explore how Mario Merz's simple material and construction choices give his sculpture "The Lens of Rotterdam" multiple layers of meaning. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 526: Henry Moore, "Large Torso Arch" (Rooftop Garden Audio Tour - enhanced) - Curator John Zarobell on the multiple forms that reference the history of sculpture in Henry Moore's "Large Torso Arch." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 525: Kiki Smith, "Virgin Mary" (Rooftop Garden Audio Tour - enhanced) - Artist Kiki Smith discusses how her sculpture "Virgin Mary" reflects her interests in anatomy and Catholic iconography. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 524: Louise Bourgeois, "The Nest" (Rooftop Garden Audio Tour - enhanced) - Curator Alison Gass discusses Louise Bourgeois' interest in spiders, and how the cluster in "The Nest" looks and feels in space. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 523 sublevel: Ranjani Shettar, "Me, no, not me..." (Rooftop Garden Audio Tour - enhanced) - Artist Ranjani Shettar on the many lives of objects, and how they are expressed in her sculpture "Me, no, not me, buy me, eat me, wear me, have me, me, no, not me." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 523: Ranjani Shettar, "Me, no, not me..." (Rooftop Garden Audio Tour - enhanced) - Artist Ranjani Shettar discusses the meaning behind her choices of material and process in her sculpture "Me, no, not me, buy me, eat me, wear me, have me, me, no, not me." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 522: Juan Muñoz, "Conversation Piece N.Y. (1, 2 and 3)" (Rooftop Garden Audio Tour - enhanced) - Curator John Zarobell on how the figures in "Conversation Piece" got their shape, and what it feels like to relate to them. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 521 sublevel: Joel Shapiro, "Untitled" (Rooftop Garden Audio Tour - enhanced) - Curator John Zarobell discusses the surprising use of materials in Joel Shapiro's "Untitled." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 521: Joel Shapiro, "Untitled" (Rooftop Garden Audio Tour - enhanced) - Curators John Zarobell and Gary Garrels discuss the physical characteristics of Joel Shapiro's "Untitled." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 520: Robert Arneson, "No Pain" (Rooftop Garden Audio Tour - enhanced) - Artist Robert Arneson discusses his interest in self-portraiture. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 530: Alexander Calder, "Big Crinkly" (Rooftop Garden Audio Tour) - Curators Janet Bishop and Gary Garrels on Calder's playful sensibilities, and the ways in which this sculpture responds to its environment. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 529: Ellsworth Kelly, "Stele I" (Rooftop Garden Audio Tour) - Curator Gary Garrels discusses the different ways in which Ellsworth Kelly's "Stele I" marks the passage of time. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 528: Barnett Newman, "Zim Zum I" (Rooftop Garden Audio Tour) - Curators Gary Garrels, Alison Gass and Peter Samis discuss the spiritual background behind Barnett Newman’s "Zim Zum I." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 527: Mario Merz, "The Lens of Rotterdam" (Rooftop Garden Audio Tour) - Curators Apsara DiQuinzio and Gary Garrels explore how Mario Merz's simple material and construction choices give his sculpture "The Lens of Rotterdam" multiple layers of meaning. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 526: Henry Moore, "Large Torso Arch" (Rooftop Garden Audio Tour) - Curator John Zarobell on the multiple forms that reference the history of sculpture in Henry Moore's "Large Torso Arch." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 525: Kiki Smith, "Virgin Mary" (Rooftop Garden Audio Tour) - Artist Kiki Smith discusses how her sculpture "Virgin Mary" reflects her interests in anatomy and Catholic iconography. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 524: Louise Bourgeois, "The Nest" (Rooftop Garden Audio Tour) - Curator Alison Gass discusses Louise Bourgeois' interest in spiders, and how the cluster in "The Nest" looks and feels in space. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 523 sublevel: Ranjani Shettar, "Me, no, not me..." (Rooftop Garden Audio Tour) - Artist Ranjani Shettar on the many lives of objects, and how they are expressed in her sculpture "Me, no, not me, buy me, eat me, wear me, have me, me, no, not me." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 523: Ranjani Shettar, "Me, no, not me..." (Rooftop Garden Audio Tour) - Artist Ranjani Shettar discusses the meaning behind her choices of material and process in her sculpture "Me, no, not me, buy me, eat me, wear me, have me, me, no, not me." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 522: Juan Muñoz, "Conversation Piece N.Y. (1, 2 and 3)" (Rooftop Garden Audio Tour) - Curator John Zarobell on how the figures in "Conversation Piece" got their shape, and what it feels like to relate to them. Part of SFMOMA’s Rooftop Garden audio tour.
Stop 521 sublevel: Joel Shapiro, "Untitled" (Rooftop Garden Audio Tour) - Curator John Zarobell discusses the surprising use of materials in Joel Shapiro's "Untitled." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 521: Joel Shapiro, "Untitled" (Rooftop Garden Audio Tour) - Curators John Zarobell and Gary Garrels discuss the physical characteristics of Joel Shapiro's "Untitled." Part of SFMOMA’s Rooftop Garden audio tour.
Stop 520: Robert Arneson, "No Pain" (Rooftop Garden Audio Tour) - Artist Robert Arneson discusses his interest in self-portraiture. Part of SFMOMA’s Rooftop Garden audio tour.
SFMOMA Artcasts: March 2009 (enhanced) - Kerry James Marshall on his art historical inspiration and his SFMOMA mural commission. Judith Joy Ross on her photographs of anti-Iraq War protesters and her ties to her subjects. Leo Rubinfien with the personal story behind his series "Wounded Cities."
SFMOMA Artcasts: March 2009 (no images) - Kerry James Marshall on his art historical inspiration and his SFMOMA mural commission. Judith Joy Ross on her photographs of anti-Iraq War protesters and her ties to her subjects. Leo Rubinfien with the personal story behind his series "Wounded Cities."
1. Kerry James Marshall on Painting the Founding Fathers (enhanced) - Artist Kerry James Marshall on his mural project for SFMOMA's atrium, which reveals the true nature of life at the plantation homes of Presidents Jefferson and Washington.
2. Kerry James Marshall on Visual Games and Puzzles (enhanced) - Artist Kerry James Marshall on his use of games, puzzles, and other visual tricks to reveal slaves hidden in the landscapes of Mount Vernon and Monticello.
1. Kerry James Marshall on Painting the Founding Fathers (no images) - Artist Kerry James Marshall on his mural project for SFMOMA's atrium, which reveals the true nature of life at the plantation homes of Presidents Jefferson and Washington.
2. Kerry James Marshall on Visual Games and Puzzles (no images) - Artist Kerry James Marshall on his use of games, puzzles, and other visual tricks to reveal slaves hidden in the landscapes of Mount Vernon and Monticello.
SFMOMA Artcasts: January 2009 (enhanced) - MTAA on their vote-based project "Automatic for the People:()," recent visitors share impressions on "The Art of Participation," curator Gary Garrels on Sol Lewitt’s wall drawings, and a student from 826 Valencia’s "Writing About Art" series with a short story inspired by SFMOMA’s collection.
SFMOMA Artcasts: January 2009 (no images) - MTAA on their vote-based project "Automatic for the People:()," recent visitors share impressions on "The Art of Participation," curator Gary Garrels on Sol Lewitt’s wall drawings, and a student from 826 Valencia’s "Writing About Art" series with a short story inspired by SFMOMA’s collection.
SFMOMA Artcasts: November 2008 (enhanced) - Curator Corey Keller on Photography and the Invisible, curator Rudolf Frieling and artist Tom Marioni on "The Art of Participation," Someguy on "The 1,000 Journals Project," and monologues from Tony Labat's Live Art performance competition, "I Want You."
SFMOMA Artcasts: November 2008 (no images) - Curator Corey Keller on Photography and the Invisible, curator Rudolf Frieling and artist Tom Marioni on "The Art of Participation," Someguy on "The 1,000 Journals Project," and monologues from Tony Labat's Live Art performance competition, "I Want You."
1. Introduction to "Brought to Light: Photography and the Invisible, 1840-1900" (enhanced) - Chapter 1: In Which Associate Curator of Photography Corey Keller Introduces the Exhibition "Brought to Light: Photography and the Invisible, 1840-1900," Presenting Documents of Wonders Invisible to the Naked Eye.
2. Microscopy - "Brought to Light" gallery exploration guide (enhanced) - Chapter 2: A Journey to the World of the Infinitely Small as Seen Through the Marvelous Microscope.
3. Astronomy - "Brought to Light" gallery exploration guide (enhanced) - Chapter 3: In Which the Stars Kindly Draw Their Own Picture For Us.
4. Electricity and Magnetism - "Brought to Light" gallery exploration guide (enhanced) - Chapter 4: Revealing the Beauty and Wonder of Electricity Through Trouvelot's Spectacular Studies, &c.
5. Motion Studies - "Brought to Light" gallery exploration guide (enhanced) - Chapter 5: In Which the Marvel of Motion is Finally Captured, Cut, and Collated.
6. X-Rays - "Brought to Light" gallery exploration guide (enhanced) - Chapter 6: An Insider's Guide to Radiography and "Inner Portraiture."
7. Spirit Photography - "Brought to Light" gallery exploration guide (enhanced) - Chapter 7: Featuring The First Ever Photographs of Thoughts, Auras, Spirits and Ghosts
1. Introduction to "Brought to Light: Photography and the Invisible, 1840-1900" (no images) - Chapter 1: In Which Associate Curator of Photography Corey Keller Introduces the Exhibition "Brought to Light: Photography and the Invisible, 1840-1900," Presenting Documents of Wonders Invisible to the Naked Eye.
2. Microscopy - "Brought to Light" gallery exploration guide (no images) - Chapter 2: A Journey to the World of the Infinitely Small as Seen Through the Marvelous Microscope.
3. Astronomy - "Brought to Light" gallery exploration guide (no images) - Chapter 3: In Which the Stars Kindly Draw Their Own Picture For Us.
4. Electricity and Magnetism - "Brought to Light" gallery exploration guide (no images) - Chapter 4: Revealing the Beauty and Wonder of Electricity Through Trouvelot's Spectacular Studies, &c.
5. Motion Studies - "Brought to Light" gallery exploration guide (no images) - Chapter 5: In Which the Marvel of Motion is Finally Captured, Cut, and Collated.
6. X-Rays - "Brought to Light" gallery exploration guide (no images) - Chapter 6: An Insider's Guide to Radiography and "Inner Portraiture."
7. Spirit Photography - "Brought to Light" gallery exploration guide (no images) - Chapter 7: Featuring The First Ever Photographs of Thoughts, Auras, Spirits and Ghosts
Stop 400: Introduction to "The Art of Participation" (enhanced) - Curator of Media Arts Rudolf Frieling with an introduction to "The Art of Participation" audio tour.
Stop 401: Hans Haacke, News, 1969/2008 (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling describes and discusses Hans Haacke's installation work "News."
Stop 402: John Cage, 4'33", 1952 (The Art of Participation Audio Tour - enhanced) - John Cage describes the making of his silent composition, 4'33".
Stop 403: Nam June Paik, Participation TV, 1963/1998 (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling discusses Nam June Paik's pioneering work "Participation TV."
Stop 404: Robert Rauschenberg, White Painting (Three Panel), 1951 (The Art of Participation Audio Tour - enhanced) - Robert Rauschenberg discusses his "White Painting" series; friend and composer John Cage on how the "White Paintings" gave him courage to create a work of "silent" music.
Stop 405: George Brecht (various works) (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling on the Fluxus games and event scores of George Brecht.
Stop 406: Vito Acconci, Proximity Piece, 1970, 2008 print (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling discusses Acconci's performance work "Proximity Piece."
Stop 407: Joseph Beuys (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling on the work of artist Joseph Beuys and his enduring legacy.
Stop 408: Lygia Clark (various works) (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling on the "relational objects" of Brazilian artist Lygia Clark.
Stop 409: Yoko Ono, Cut Piece, 1965 (The Art of Participation Audio Tour - enhanced) - Artist Yoko Ono and Media Arts curator Rudolf Frieling on Ono's seminal performance "Cut Piece" (1965).
Stop 4092: Sublevel: Rudolf Frieling compares two performances of Yoko Ono's "Cut Piece" (The Art of Participation Audio Tour - enhanced) - Rudolf Frieling contrasts the 1965 performance of Yoko Ono's "Cut Piece" with the 2003 restaging.
Stop 410: Lord + Schreier + Tomb, Ant Farm Media Van v.08 (Time Capsule), 2008 (The Art of Participation Audio Tour - enhanced) - Chip Lord, Curtis Schreier, and collaborator Bruce Tomb discuss "Ant Farm Media Van v.08 (Time Capsule)" 2008, an SFMOMA commission that updates the 1971 "Media Van" project by the Ant Farm collective.
Stop 411: Lynn Hershman Leeson, "Life²," since 2006 (The Art of Participation Audio Tour - enhanced) - Media artist Lynn Hershman Leeson discusses "Life²", her project constructed entirely in the virtual community "Second Life."
Stop 412: c a l c and Johannes Gees, communimage, since 1999 (The Art of Participation Audio Tour - enhanced) - The Seville-based artist collective c a l c reveals the background on their ongoing online project "communimage."
Stop 413: Kit Galloway and Sherrie Rabinowitz, Hole-in-Space, 1980 (The Art of Participation Audio Tour - enhanced) - Kit Galloway of the artistic partnership Galloway and Rabinowitz, on their 1980 project "Hole-in-Space."
Stop 414: Francis Älys, Re-enactments, 2000 (The Art of Participation Audio Tour - enhanced) - Media Arts curator Rudolf Frieling examines Francis Älys' daring performance and documentation "Re-enactments."
Stop 415: Erwin Wurm (various works) (The Art of Participation Audio Tour - enhanced) - Artist Erwin Wurm describes the concept of audience participation in the co-production of his "performative sculptures."
Stop 416: Felix Gonzalez-Torres, "Untitled", 1992/1993 (The Art of Participation Audio Tour - enhanced) - Felix Gonzalez-Torres on the "stack" pieces, and how they taught him to "let go" of his art.
Stop 417: Tom Marioni, FREE BEER (The Act of Drinking Beer with Friends is the Highest Form of Art), 1970-1979 (The Art of Participation Audio Tour - enhanced) - Bay Area conceptual artist Tom Marioni discusses the free beer salons-- an ongoing gathering and "social sculpture" series that has been a fixture in the Bay Area art scene since 1970.
Stop 418: John Baldessari, Terms Most Useful in Describing Creative Works of Art, 1966-68 (The Art of Participation Audio Tour - enhanced) - Artist John Baldessari on his text painting "Terms Most Useful in Describing Creative Works of Art" (1966-68).
Stop 419: Raqs Media Collective, Please do not touch the work of art, 2006 (The Art of Participation Audio Tour - enhanced) - Monica Narula of the Delhi-based group Raqs Media Collective on their takeaway piece "Please do not touch the work of art."
Stop 420: Blank, Jeron, and Gohlke, 1st Public White Cube, 2002/2008 (The Art of Participation Audio Tour - enhanced) - Karl Heinz Jeron of Blank, Jeron, and Gohlke, the creators of the auction-based installation "1st Public White Cube" (2002/2008).
Stop 4202: Sublevel: Karl Heinz Jeron on 1st Public White Cube collaborators 10lb. Ape (The Art of Participation Audio Tour - enhanced) - Karl Heinz Jeron on Los Angeles-based art group 10lb Ape's intervention into the "1st Public White Cube."
Stop 4203: Sublevel: Karl Heinz Jeron on 1st Public White Cube collaborator Ledia Carroll (The Art of Participation Audio Tour - enhanced) - Karl Heinz Jeron on San Francisco-based artist Ledia Carroll's intervention into the "1st Public White Cube."
Stop 421: Janet Cardiff, The Telephone Call, 2001 (The Art of Participation Audio Tour - enhanced) - Artist Janet Cardiff discusses her work with audio and video walks, in particular the SFMOMA commission "The Telephone Call."
Stop 422: Fletcher/Rubin, Pictures Collected From Museum Visitor's Wallets, 1998 (The Art of Participation Audio Tour - enhanced) - Jon Rubin discusses "Pictures Collected From Museum Visitor's Wallets" (1998), made in collaboration with artist Harrell Fletcher.
Stop 423: Jochen Gerz, The Gift, 2000 (The Art of Participation Audio Tour - enhanced) - Jochen Gerz on his multilayered portrait studio, exhibition, and artwork exchange "The Gift" (2000).
Stop 4232: Sublevel: Jochen Gerz on working with the public (The Art of Participation Audio Tour - enhanced) - Artist Jochen Gerz on his interest in working with the public.
Stop 424: MTAA, Automatic for the People: ( ), 2008 (The Art of Participation Audio Tour - enhanced) - Brooklyn-based artist duo MTAA discuss their vote-based performance work "Automatic for the People: ( )" (2008).
Stop 400: Introduction to "The Art of Participation" - Curator of Media Arts Rudolf Frieling with an introduction to "The Art of Participation" audio tour.
Stop 401: Hans Haacke, News, 1969/2008 (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling describes and discusses Hans Haacke's installation work "News."
Stop 402: John Cage, 4'33", 1952 (The Art of Participation Audio Tour) - John Cage describes the making of his silent composition, 4'33".
Stop 403: Nam June Paik, Participation TV, 1963/1998 (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling discusses Nam June Paik's pioneering work "Participation TV."
Stop 404: Robert Rauschenberg, White Painting (Three Panel), 1951 (The Art of Participation Audio Tour) - Robert Rauschenberg discusses his "White Painting" series; friend and composer John Cage on how the "White Paintings" gave him courage to create a work of "silent" music.
Stop 405: George Brecht (various works) (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling on the Fluxus games and event scores of George Brecht.
Stop 406: Vito Acconci, Proximity Piece, 1970, 2008 print (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling discusses Acconci's performance work "Proximity Piece."
Stop 407: Joseph Beuys (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling on the work of artist Joseph Beuys and his enduring legacy.
Stop 408: Lygia Clark (various works) (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling on the "relational objects" of Brazilian artist Lygia Clark.
Stop 409: Yoko Ono, Cut Piece, 1965 (The Art of Participation Audio Tour) - Artist Yoko Ono and Media Arts curator Rudolf Frieling on Ono's seminal performance "Cut Piece" (1965).
Stop 4092: Sublevel: Rudolf Frieling compares two performances of Yoko Ono's "Cut Piece" (The Art of Participation Audio Tour) - Rudolf Frieling contrasts the 1965 performance of Yoko Ono's "Cut Piece" with the 2003 restaging.
Stop 410: Lord + Schreier + Tomb, Ant Farm Media Van v.08 (Time Capsule), 2008 (The Art of Participation Audio Tour) - Chip Lord, Curtis Schreier, and collaborator Bruce Tomb discuss "Ant Farm Media Van v.08 (Time Capsule)" 2008, an SFMOMA commission that updates the 1971 "Media Van" project by the Ant Farm collective.
Stop 411: Lynn Hershman Leeson, Life², since 2006 (The Art of Participation Audio Tour) - Media artist Lynn Hershman Leeson discusses "Life²", her project constructed entirely in the virtual community "Second Life."
Stop 412: c a l c and Johannes Gees, communimage, since 1999 (The Art of Participation Audio Tour) - The Seville-based artist collective c a l c reveals the background on their ongoing online project "communimage."
Stop 413: Kit Galloway and Sherrie Rabinowitz, Hole-in-Space, 1980 (The Art of Participation Audio Tour) - Kit Galloway of the artistic partnership Galloway and Rabinowitz, on their 1980 project "Hole-in-Space."
Stop 414: Francis Älys, Re-enactments, 2000 (The Art of Participation Audio Tour) - Media Arts curator Rudolf Frieling examines Francis Älys' daring performance and documentation "Re-enactments."
Stop 415: Erwin Wurm (various works) (The Art of Participation Audio Tour) - Artist Erwin Wurm describes the concept of audience participation in the co-production of his "performative sculptures."
Stop 416: Felix Gonzalez-Torres, "Untitled", 1992/1993 (The Art of Participation Audio Tour) - Felix Gonzalez-Torres on the "stack" pieces, and how they taught him to "let go" of his art.
Stop 417: Tom Marioni, FREE BEER (The Act of Drinking Beer with Friends is the Highest Form of Art), 1970-1979 (The Art of Participation Audio Tour) - Bay Area conceptual artist Tom Marioni discusses the free beer salons-- an ongoing gathering and "social sculpture" series that has been a fixture in the Bay Area art scene since 1970.
Stop 418: John Baldessari, Terms Most Useful in Describing Creative Works of Art, 1966-68 (The Art of Participation Audio Tour) - Artist John Baldessari on his text painting "Terms Most Useful in Describing Creative Works of Art" (1966-68).
Stop 419: Raqs Media Collective, Please do not touch the work of art, 2006 (The Art of Participation Audio Tour) - Monica Narula of the Delhi-based group Raqs Media Collective on their takeaway piece "Please do not touch the work of art."
Stop 420: Blank, Jeron, and Gohlke, 1st Public White Cube, 2002/2008 (The Art of Participation Audio Tour) - Karl Heinz Jeron of Blank, Jeron, and Gohlke, the creators of the auction-based installation "1st Public White Cube" (2002/2008).
Stop 4202: Sublevel: Karl Heinz Jeron on 1st Public White Cube collaborators 10lb. Ape (The Art of Participation Audio Tour) - Karl Heinz Jeron on Los Angeles-based art group 10lb Ape's intervention into the "1st Public White Cube."
Stop 4203: Sublevel: Karl Heinz Jeron on 1st Public White Cube collaborator Ledia Carroll (The Art of Participation Audio Tour) - Karl Heinz Jeron on San Francisco-based artist Ledia Carroll's intervention into the "1st Public White Cube."
Stop 421: Janet Cardiff, The Telephone Call, 2001 (The Art of Participation Audio Tour) - Artist Janet Cardiff discusses her work with audio and video walks, in particular the SFMOMA commission "The Telephone Call".
Stop 422: Fletcher/Rubin, Pictures Collected From Museum Visitor's Wallets, 1998 (The Art of Participation Audio Tour) - Jon Rubin discusses "Pictures Collected From Museum Visitor's Wallets" (1998), made in collaboration with artist Harrell Fletcher.
Stop 423: Jochen Gerz, The Gift, 2000 (The Art of Participation Audio Tour) - Jochen Gerz on his multilayered portrait studio, exhibition, and artwork exchange "The Gift" (2000).
Stop 4232: Sublevel: Jochen Gerz on working with the public (The Art of Participation Audio Tour) - Artist Jochen Gerz on his interest in working with the public.
Stop 424: MTAA, Automatic for the People: ( ), 2008 (The Art of Participation Audio Tour) - Brooklyn-based artist duo MTAA discuss their vote-based performance work "Automatic for the People: ( )" (2008).
SFMOMA Artcasts: August 2008 (enhanced) - Interviews with "Half-Life of a Dream" curator Jeff Kelley and multimedia artist Bruce Conner; visitor impressions of works on display in the museum; and an ode to Conner by cellist and composer Joan Jeanrenaud.
SFMOMA Artcasts: August 2008 (no images) - Interviews with "Half-Life of a Dream" curator Jeff Kelley and multimedia artist Bruce Conner; visitor impressions of works on display in the museum; and an ode to Conner by cellist and composer Joan Jeanrenaud.
SFMOMA Artcasts: June 2008 (enhanced) - SFMOMA Artcasts: June 2008 focuses on Frida Kahlo’s artistic and cultural legacy. Art historian Whitney Chadwick, Kahlo biographer Hayden Herrera, artists Amalia Mesa-Bains and Kiki Smith, curator René Yañez, and performer Guillermo Gómez-Peña share their perspectives.
SFMOMA Artcasts: June 2008 (no images) - SFMOMA Artcasts: June 2008 focuses on Frida Kahlo’s artistic and cultural legacy. Art historian Whitney Chadwick, Kahlo biographer Hayden Herrera, artists Amalia Mesa-Bains and Kiki Smith, curator René Yañez, and performer Guillermo Gómez-Peña share their perspectives.
SFMOMA Artcasts: April 2008 (enhanced) - SFMOMA Artcasts: April 2008 presents interviews with photographer An-My Lê, sculptor Janine Antoni, and cabaret performer Daniel Isengart, all artists who re-invent, revive or borrow historical forms.
SFMOMA Artcasts: April 2008 (no images) - SFMOMA Artcasts: April 2008 features interviews with photographer An-My Lê, sculptor Janine Antoni, and cabaret performer Daniel Isengart, all artists who re-invent, revive or borrow historical forms.
SFMOMA Artcasts: February 2008 (enhanced) - SFMOMA Artcasts: February 2008 presents an interview with video artist Douglas Gordon, Bay Area photographers discussing the work of Lee Friedlander, and cello music by the artist's son, Erik Friedlander.
SFMOMA Artcasts: February 2008 (no images) - SFMOMA Artcasts: February 2008 presents an interview with video artist Douglas Gordon, Bay Area photographers discussing the work of Lee Friedlander, and cello music by the artist's son, Erik Friedlander.
SFMOMA Artcasts: December 2007 (enhanced) - SFMOMA Artcast: December 2007 features two artists with close ties to cinema, photographer Jeff Wall and video artist Douglas Gordon; plus explores the connection between two artists who share the influence of music, the late Paul Klee and contemporary folk musician, Devendra Banhart. Visitors share their insights of Jeff Wall and Douglas Gordon.
SFMOMA Artcasts: December 2007 (no images) - SFMOMA Artcast: December 2007 features two artists with close ties to cinema, photographer Jeff Wall and video artist Douglas Gordon; plus explores the connection between two artists who share the influence of music, the late Paul Klee and contemporary folk musician, Devendra Banhart. Visitors share their insights of Jeff Wall and Douglas Gordon.
SFMOMA Artcasts: October 2007 (enhanced) - Icelandic artist Olafur Eliasson contemplates the act of taking one’s time in museums; SFMOMA visitors share their experiences of Take your time: Olafur Eliasson; Curator Lynda Roscoe Hartigan discusses the rarely seen films of Joseph Cornell; Pulitzer Prize-winning author Joyce Carol Oates reads from "The Box Artist," a story inspired by the work of Joseph Cornell.
SFMOMA Artcasts: October 2007 (no images) - Icelandic artist Olafur Eliasson contemplates the act of taking one’s time in museums; SFMOMA visitors share their experiences of Take your time: Olafur Eliasson; Curator Lynda Roscoe Hartigan discusses the rarely seen films of Joseph Cornell; Pulitzer Prize-winning author Joyce Carol Oates reads from "The Box Artist," a story inspired by the work of Joseph Cornell.
Olafur Eliasson: "Seeing yourself seeing" - Olafur Eliasson discusses the act of "seeing yourself seeing"
SFMOMA Artcasts: August 2007 (enhanced) - Curator Rudolf Frieling on installation artist and filmmaker Anthony McCall; Assistant Curator Apsara DiQuinzio on the room-sized installations of Felix Schramm; Jay Fisher on "Matisse: Painter as Sculptor"; new writing from the students of 826 Valencia.
SFMOMA Artcasts: August 2007 (no images) - Curator Rudolf Frieling on installation artist and filmmaker Anthony McCall; Assistant Curator Apsara DiQuinzio on the room-sized installations of Felix Schramm; Jay Fisher on "Matisse: Painter as Sculptor"; new writing from the students of 826 Valencia.
SFMOMA Artcasts: June 2007 (enhanced) - Artist Ann Hamilton, visitors, and SFMOMA staff give a behind-the-scenes look at bringing Hamilton’s indigo blue (1991/2007) to SFMOMA. Exhibition co-organizer Carol Squiers discusses the photographs of Martin Munkacsi.
SFMOMA Artcasts: June 2007 (no images) - Artist Ann Hamilton, visitors, and SFMOMA staff give a behind-the-scenes look at bringing Hamilton’s indigo blue (1991/2007) to SFMOMA. Exhibition co-organizer Carol Squiers discusses the photographs of Martin Munkacsi.
Ann Hamilton: "indigo blue" (1991/2007) - Artist Ann Hamilton on the conception of her installation work "indigo blue" (1991/2007)
SFMOMA Artcasts: May 2007 - Perspectives from art historian Pepe Karmel, Bay Area artists Enrique Chagoya and Leonie Guyer, and violinist-composer Aenea Keyes explore the enduring legacy of Pablo Picasso. Plus, art conservator Will Shank shares insights on the discovery of a hidden Picasso painting, and a student from 826 Valencia shares a new piece inspired by Picasso.
Part I. Movement, Contour, Shadow - "Movement, Contour, Shadow" is one of six new works in the "Picasso Suite", composed by Aenea Mizushima Keyes and inspired by the exhibition "Picasso and American Art"
Part II. Colonial Cubism - "Colonial Cubism" is one of six new works in the "Picasso Suite", composed by Aenea Mizushima Keyes and inspired by the exhibition "Picasso and American Art"
Part III. Suspended Counterpoint - "Suspended Counterpoint" is one of six new works in the "Picasso Suite", composed by Aenea Mizushima Keyes and inspired by the exhibition "Picasso and American Art"
Part IV. Reaction - "Reaction" is one of six new works in the "Picasso Suite", composed by Aenea Mizushima Keyes and inspired by the exhibition "Picasso and American Art"
Part V. Still Life - "Still Life" is one of six new works in the "Picasso Suite", composed by Aenea Mizushima Keyes and inspired by the exhibition "Picasso and American Art"
Part VI. Dialogue in Deconstruction - "Dialogue in Deconstruction" is one of six new works in the "Picasso Suite", composed by Aenea Mizushima Keyes and inspired by the exhibition "Picasso and American Art"
SFMOMA Artcasts: March 2007 (enhanced) - SFMOMA's March 2007 Artcast spotlights video artist Sylvie Blocher, SECA artists Sarah Cain and Amy Franceschini, and new music from Los Angeles band Hecuba.
SFMOMA Artcasts: March 2007 (no images) - SFMOMA's March 2007 Artcast spotlights video artist Sylvie Blocher, SECA artists Sarah Cain and Amy Franceschini, and new music from Los Angeles band Hecuba.
Stop 200> Introduction (enhanced) - Stop 200 is an introduction to the "Brice Marden: A Retrospective of Paintings and Drawings" podcast audio tour. It includes commentary by Gary Garrels, Chief Curator at the Museum of Modern Art, New York. This audio tour is produced by Antenna Audio, Inc.
Stop 201> Nebraska, 1966 (enhanced) - In Stop 201, Marden and Garrels discuss "Nebraska", a painting finished in 1966 and included in the artist's first one-person exhibition in New York City that same year. This audio tour is produced by Antenna Audio, Inc.
Stop 2012> How to Look at These Paintings (enhanced) - The artist, with advice on how to look at the paintings in the exhibition. This audio tour is produced by Antenna Audio, Inc.
Stop 202> The Dylan Painting, 1966/1986 (enhanced) - Brice Marden and Gary Garrels on "The Dylvan Painting", a work he began in 1966 for singer Bob Dylan. This audio tour is produced by Antenna Audio, Inc.
Stop 203> Untitled, 1964-67 (enhanced) - Marden's remarks on drawing are paired with observations from Professor Richard Shiff at the University of Texas at Austin, the author of an essay in the exhibition catalog. This audio tour is produced by Antenna Audio, Inc.
Stop 204> Homage to Art 14 (Fra Angelico), 1974 (enhanced) - Brice Marden and Professor Richard Schiff, on Marden's "Homage to Art" series, drawings which incorporate postcards from museums. This audio tour is produced by Antenna Audio, Inc.
Stop 2042> Plane Image (enhanced) - Brice Marden on the concept of the plane image. This audio tour is produced by Antenna Audio, Inc.
Stop 205> For Pearl, 1970 (enhanced) - Gary Garrels and Brice Marden discuss "For Pearl", a painting created in 1970 and dedicated to singer Janis Joplin, who had died earlier that year. This audio tour is produced by Antenna Audio, Inc.
Stop 206> Adriatic, 1972; the Grove Group series (enhanced) - Brice Marden discusses "Adriatic" (1972) and works from the "Grove Group" series. This audio tour is produced by Antenna Audio, Inc.
Stop 207> 4 (Bone), 1987-88 (enhanced) - This audio tour is produced by Antenna Audio, Inc.
Stop 208> Cold Mountain 6 (Bridge), 1989-91 (enhanced) - Garrels and Marden on "Cold Mountain 6 (Bridge)", one in a series of paintings named after a group of poems by Chinese poet Han Shan. This audio tour is produced by Antenna Audio, Inc.
Stop 209> The Muses, 1991-93 (enhanced) - Gary Garrels and Brice Marden discuss "The Muses" (1991-93), the artist's largest painting. This audio tour is produced by Antenna Audio, Inc.
Stop 210> Bear Print, 1998-98, 2000 (enhanced) - Marden and Garrels on "Bear Print", a work inspired by the view of a bear walking walking outside the artist's property in rural Pennsylvania. This audio tour is produced by Antenna Audio, Inc.
Stop 2102> Painting with Long Brushes (enhanced) - Brice Marden on his technique of painting with long brushes. This audio tour is produced by Antenna Audio, Inc.
Stop 211> Aphrodite Negril (with Green), 1991-94 (enhanced) - Brice Marden and Richard Shiff on "Aphrodite Negril (with Green)", a 1991-94 work inspired by the Greek goddess of love. This audio tour is produced by Antenna Audio, Inc.
Stop 212> The Propitious Garden of Plane Image, First Version, 2000-06 (enhanced) - Marden and Garrels on "The Propitious Garden of Plane Image, First Version", a work inspired by Chinese gardens. This audio tour is produced by Antenna Audio, Inc.
SFMOMA Artcasts: February 2007 (enhanced) - SFMOMA's February 2007 Artcast spotlights artists of the Bay Area: SECA Art Award recipients Kota Ezawa and Leslie Shows; photographer Henry Wessel; pianist Sarah Cahill's performance of composer Morton Feldman's "For Philip Guston," with the story of Feldman and Guston narrated by poet and art critic Bill Berkson.
SFMOMA Artcasts: February 2007 (no images) - SFMOMA's February 2007 Artcast spotlights artists of the Bay Area: SECA Art Award recipients Kota Ezawa and Leslie Shows; photographer Henry Wessel; pianist Sarah Cahill's performance of composer Morton Feldman's "For Philip Guston," with the story of Feldman and Guston narrated by poet and art critic Bill Berkson.
SFMOMA Artcasts: December 2006 (enhanced) - SFMOMA's December 2006 Artcast spotlights textile designer Alexander Girard; the video works of Jane and Louise Wilson and Fikret Atay; Youth Speaks poet Michelle Lee on the work of Anselm Kiefer; the voices of visitors to "Anselm Kiefer: Heaven and Earth".
SFMOMA Artcasts: December 2006 (no images) - SFMOMA's December 2006 Artcast spotlights textile designer Alexander Girard; the video works of Jane and Louise Wilson and Fikret Atay; Youth Speaks poet Michelle Lee on the work of Anselm Kiefer; the voices of visitors to "Anselm Kiefer: Heaven and Earth".
Anselm Kiefer Audio Tour> Stop 1: Introduction (enhanced) - Exhibition Curator Michael Auping with an overview of "Anselm Kiefer: Heaven and Earth"
Anselm Kiefer Audio Tour> Stop 2 [Gallery 1]- "Man in the Forest" (enhanced) - Michael Auping discusses Anselm Kiefer's painting "Man in the Forest" (1971)
Anselm Kiefer Audio Tour> Stop 3 [Gallery 2]- "Resurrexit" (enhanced) - Michael Auping discusses Anselm Kiefer's painting "Resurrexit" (1973)
Anselm Kiefer Audio Tour> Stop 4 [Gallery 1]- "Quaternity" (enhanced) - Michael Auping discusses Anselm Kiefer's painting "Quaternity" (1973)
Anselm Kiefer Audio Tour> Stop 5 [Gallery 2]- "The Hierarchy of Angels" (enhanced) - Michael Auping discusses Anselm Kiefer's painting "The Hierarchy of Angels" (1985-87)
Anselm Kiefer Audio Tour> Stop 6 [Gallery 3-5]- Kiefer's Studio and Scale (enhanced) - Michael Auping discusses Anselm Kiefer's studio complex and the enormous scale on which he works.
Anselm Kiefer Audio Tour> Stop 7 [Gallery 5]- "Osiris and Isis" (enhanced) - Michael Auping on the painting "Osiris and Isis" (1985-87)
Anselm Kiefer Audio Tour> Stop 8: Conclusion (enhanced) - Concluding remarks on "Anselm Kiefer: Heaven and Earth" by exhibition curator Michael Auping.
Anselm Kiefer Audio Tour> Stop 1: Introduction - Exhibition Curator Michael Auping with an overview of "Anselm Kiefer: Heaven and Earth"
Anselm Kiefer Audio Tour> Stop 2 [Gallery 1]- "Man in the Forest" - Michael Auping discusses Anselm Kiefer's painting "Man in the Forest" (1971)
Anselm Kiefer Audio Tour> Stop 3 [Gallery 2]- "Resurrexit" - Michael Auping discusses Anselm Kiefer's painting "Resurrexit" (1973)
Anselm Kiefer Audio Tour> Stop 4 [Gallery 1]- "Quaternity" - Michael Auping discusses Anselm Kiefer's painting "Quaternity" (1973)
Anselm Kiefer Audio Tour> Stop 5 [Gallery 2]- "The Hierarchy of Angels" - Michael Auping discusses Anselm Kiefer's painting "The Hierarchy of Angels" (1985-87)
Anselm Kiefer Audio Tour> Stop 6 [Gallery 3-5]- Kiefer's Studio and Scale - Michael Auping discusses Anselm Kiefer's studio complex and the enormous scale on which he works.
Anselm Kiefer Audio Tour> Stop 7 [Gallery 5]- "Osiris and Isis" - Michael Auping on the painting "Osiris and Isis" (1985-87)
Anselm Kiefer Audio Tour> Stop 8: Conclusion - Concluding remarks on "Anselm Kiefer: Heaven and Earth" by exhibition curator Michael Auping.
SFMOMA Artcasts: November 2006 (enhanced) - SFMOMA's November 2006 Artcast features exhibition curator Michael Auping on "Anselm Kiefer: Heaven and Earth"; Youth Speaks poets on the work of Jeff Koons and Phil Collins; Deborah Luster on her photographs of inmates in the Louisiana prison system; a whirlwind recap of SFMOMA Scavengers.
SFMOMA Artcasts: November 2006 (no images) - SFMOMA's November 2006 Artcast features exhibition curator Michael Auping on "Anselm Kiefer: Heaven and Earth"; Youth Speaks poets on the work of Jeff Koons and Phil Collins; Deborah Luster on her photographs of inmates in the Louisiana prison system; a whirlwind recap of SFMOMA Scavengers.
SFMOMA Artcasts: September 2006 (enhanced) - SFMOMA's September 2006 Artcast features architecture firm Jensen & Macy, winners of the SFMOMA Sculpture Garden competition. Art historian Patricia Albers tells the story of Tina Modotti and Edward Weston. Sculptor Robert Arneson on the allure of clay. Local sound artists Matmos with an ode to Matthew Barney. British artist Joshua Sofaer previews "SFMOMA Scavengers".
SFMOMA Artcasts: September 2006 (no images) - SFMOMA's September 2006 Artcast features architecture firm Jensen & Macy, winners of the SFMOMA Sculpture Garden competition. Art historian Patricia Albers tells the story of Tina Modotti and Edward Weston. Sculptor Robert Arneson on the allure of clay. Local sound artists Matmos with an ode to Matthew Barney. British artist Joshua Sofaer previews "SFMOMA Scavengers".
SFMOMA Artcasts: "Mexico as Muse: Tina Modotti & Edward Weston" Gallery Exploration (enhanced) - Art historian Patricia Albers narrates a downloadable guide to "Mexico as Muse: Tina Modotti & Edward Weston," on view at SFMOMA through January 2, 2006.
SFMOMA Artcasts: "Mexico as Muse: Tina Modotti & Edward Weston" Gallery Exploration (no images) - Art historian Patricia Albers narrates a downloadable guide to "Mexico as Muse: Tina Modotti & Edward Weston," on view at SFMOMA through January 2, 2006.
SFMOMA Artcasts: August 2006 (enhanced) - SFMOMA's August 2006 Artcast juxtaposes two different views of postwar Japan: those of photographer Shomei Tomatsu and American Matthew Barney. British artist Joshua Sofaer previews "SFMOMA Scavengers"; jazz musician Dmitri Matheny with a new composition; more writing by students at 826 Valencia; visitors on Matthew Barney.
SFMOMA Artcasts: August 2006 (no images) - SFMOMA's August 2006 Artcast juxtaposes two different views of postwar Japan: those of photographer Shomei Tomatsu and American Matthew Barney. British artist Joshua Sofaer previews "SFMOMA Scavengers"; jazz musician Dmitri Matheny with a new composition; more writing by students at 826 Valencia; visitors on Matthew Barney.
SFMOMA Artcasts: June 2006 (enhanced) - SFMOMA's June 2006 Artcast features excerpts of an interview with artist and filmmaker Matthew Barney; singer-songwriter Will Oldham (a.k.a. "Bonnie 'Prince' Billy") with a song inspired by the Barney exhibition; Dave Eggers and the students of 826 Valencia; and visitors on the work of Japan's Shomei Tomatsu.
SFMOMA Artcasts: June 2006 (no images) - SFMOMA's June 2006 Artcast features excerpts of an interview with artist and filmmaker Matthew Barney; singer-songwriter Will Oldham (a.k.a. "Bonnie 'Prince' Billy") with a song inspired by the Barney exhibition; Dave Eggers and the students of 826 Valencia; and visitors on the work of Japan's Shomei Tomatsu.
"Matthew Barney: DRAWING RESTRAINT": Map of the Antenna Audio Tour stops - Print our this .pdf map of the "Matthew Barney: DRAWING RESTRAINT" gallery floorplan and use it to locate the stops along the tour.
Matthew Barney Audio Tour> Stop 20: Introduction/DRAWING RESTRAINT 14 (enhanced) - Stop 20 on the "Matthew Barney: DRAWING RESTRAINT" podcast audio tour describes "DRAWING RESTRAINT 14," a drawing located just below SFMOMA's 5th floor sky bridge. It is the trace of a performance by Matthew Barney, which took place at the Museum just before the opening of the exhibition. This audio tour is a production of Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 21: DRAWING RESTRAINT 1-6 and 10-13 (enhanced) - Stop 21 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the concepts behind DRAWING RESTRAINT 1-6 and 10-13. It includes commentary by Nancy Spector, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 22: Path and Hypertrophy (enhanced) - Stop 22 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the Path, a central concept behind the "DRAWING RESTRAINT" series. It includes commentary by Matthew Barney, in which he describes the impact of his athletic experiences on his art-making practice. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 23: DRAWING RESTRAINT 7 (enhanced) - Stop 23 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the concepts behind DRAWING RESTRAINT 7, made in 1993. It includes commentary by Nancy Spector, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 24: Ambergris, DRAWING RESTRAINT 9 (enhanced) - Stop 24 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the material known as "ambergris", which is also the name of a sculpture in the exhibition. It includes commentary by Matthew Barney, describing how "ambergris" worked as a metaphor for the larger themes of his "DRAWING RESTRAINT" series. Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, describes how the landscape of drawings, sculptures, and photographs relate to the "DRAWING RESTRAINT 9" film. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 25: Holographic Entry Point, DRAWING RESTRAINT 9 (enhanced) - Stop 25 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes "Holographic Entry Point", a ramp-like sculpture created for the "DRAWING RESTRAINT 9" project. It includes commentary by Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, discussing the significance of the cycle of renewal and destruction to Barney's work. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 26: Deportment of the Host, DRAWING RESTRAINT 9 (enhanced) - Stop 26 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the sculpture "Deportment of the Host" from "DRAWING RESTRAINT 9". Matthew Barney describes the transformation of the "Occidental Guests" that take place in the course of the film. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 27: Occidental Restraint, DRAWING RESTRAINT 9 (enhanced) - Stop 27 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the sculpture "Occidental Restraint" from "DRAWING RESTRAINT 9". It includes commentary by Nancy Spector, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York, and Matthew Barney describing his use of petroleum jelly. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 28: Cetacea, DRAWING RESTRAINT 9 (enhanced) - Stop 28 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes "Cetacea", a sculpture from "DRAWING RESTRAINT 9" that is named after the scientific name of sea mammals such as dolphins and whales . It includes commentary by Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, describes the "Field", and emblem that appears again and again in the work of Matthew Barney. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 29: DRAWING RESTRAINT 8 (enhanced) - Stop 29 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes "DRAWING RESTRAINT 8". It includes commentary by Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, and the artist himself. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 20: Introduction/DRAWING RESTRAINT 14 (no images) - Stop 20 on the "Matthew Barney: DRAWING RESTRAINT" podcast audio tour describes "DRAWING RESTRAINT 14," a drawing located just below SFMOMA's 5th floor sky bridge. It is the trace of a performance by Matthew Barney, which took place at the Museum just before the opening of the exhibition. This audio tour is a production of Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 21: DRAWING RESTRAINT 1-6 and 10-13 (no images) - Stop 21 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the concepts behind DRAWING RESTRAINT 1-6 and 10-13. It includes commentary by Nancy Spector, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 22: Path and Hypertrophy (no images) - Stop 22 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the Path, a central concept behind the "DRAWING RESTRAINT" series. It includes commentary by Matthew Barney, in which he describes the impact of his athletic experiences on his art-making practice. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 23: DRAWING RESTRAINT 7 (no images) - Stop 23 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the concepts behind DRAWING RESTRAINT 7, made in 1993. It includes commentary by Nancy Spector, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 24: Ambergris, DRAWING RESTRAINT 9 (no images) - Stop 24 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the material known as "ambergris", which is also the name of a sculpture in the exhibition. It includes commentary by Matthew Barney, describing how "ambergris" worked as a metaphor for the larger themes of his "DRAWING RESTRAINT" series. Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, describes how the landscape of drawings, sculptures, and photographs relate to the "DRAWING RESTRAINT 9" film. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 25: Holographic Entry Point, DRAWING RESTRAINT 9 (no images) - Stop 25 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes "Holographic Entry Point", a ramp-like sculpture created for the "DRAWING RESTRAINT 9" project. It includes commentary by Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, discussing the significance of the cycle of renewal and destruction to Barney's work. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 26: Deportment of the Host, DRAWING RESTRAINT 9 (no images) - Stop 26 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the sculpture "Deportment of the Host" from "DRAWING RESTRAINT 9". Matthew Barney describes the transformation of the "Occidental Guests" that take place in the course of the film. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 27: Occidental Restraint, DRAWING RESTRAINT 9 (no images) - Stop 27 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes the sculpture "Occidental Restraint" from "DRAWING RESTRAINT 9". It includes commentary by Nancy Spector, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York, and Matthew Barney describing his use of petroleum jelly. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 28: Cetacea, DRAWING RESTRAINT 9 (no images) - Stop 28 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes "Cetacea", a sculpture from "DRAWING RESTRAINT 9" that is named after the scientific name of sea mammals such as dolphins and whales . It includes commentary by Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, describes the "Field", and emblem that appears again and again in the work of Matthew Barney. This audio tour is produced by Antenna Audio, Inc.
Matthew Barney Audio Tour> Stop 29: DRAWING RESTRAINT 8 (no images) - Stop 29 on the "Mattew Barney: DRAWING RESTRAINT" podcast audio tour describes "DRAWING RESTRAINT 8". It includes commentary by Benjamin Weil, Adjunct Curator of Media Arts at SFMOMA, and the artist himself. This audio tour is produced by Antenna Audio, Inc.
SFMOMA Artcasts: May 2006 (enhanced with images) - SFMOMA's May 2006 Artcast features the work of Japanese photographer Shomei Tomatsu; storyteller Brenda Wong-Aoki on the Japanese-American experience; Whitney Chadwick on the women of the Surrealist movement; and visitors on the work of Xefirotarch.
SFMOMA Artcasts: May 2006 (no images) - SFMOMA's May 2006 Artcast features the work of Japanese photographer Shomei Tomatsu; storyteller Brenda Wong-Aoki on the Japanese-American experience; Whitney Chadwick on the women of the Surrealist movement; and visitors on the work of Xefirotarch.
SFMOMA Artcasts: "Shomei Tomatsu: Skin of the Nation" Gallery Exploration (enhanced with images) - Co-curator Leo Rubinfien narrates a downloadable guide to "Shomei Tomatsu: Skin of the Nation," on view at SFMOMA from May 13-August 13, 2006.
SFMOMA Artcasts: "Shomei Tomatsu: Skin of the Nation" Gallery Exploration (no images) - Co-curator Leo Rubinfien narrates a downloadable guide to "Shomei Tomatsu: Skin of the Nation," on view at SFMOMA from May 13-August 13, 2006.
SFMOMA Artcasts: March 2006 (enhanced with images) - SFMOMA's March Artcast features interviews with artist William Kentridge, curator Corey Keller on "1906 Earthquake: A Disaster in Pictures", Vox Pop commentary by SFMOMA visitors, and new music and writing by storyteller Beth Lisick.
SFMOMA Artcasts: March 2006 (no images) - SFMOMA's March Artcast features interviews with artist William Kentridge, curator Corey Keller on "1906 Earthquake: A Disaster in Pictures", Vox Pop commentary by SFMOMA visitors, and new music and writing by storyteller Beth Lisick.
SFMOMA Artcasts: "Richard Long: The Place Is the Place Is the Line" Gallery Exploration (enhanced with images) - Artist Richard Long gives a talk on his installation "The Path is the Place is the Line"
SFMOMA Artcasts: "Richard Long: The Place Is the Place Is the Line" Gallery Exploration (no images) - Artist Richard Long gives a talk on his installation "The Path is the Place is the Line"
SFMOMA Artcasts: February 2006 (enhanced with images) - SFMOMA's February Artcast features interviews with artists Janet Cardiff and Wangechi Mutu, Vox Pop commentary by SFMOMA visitors, new writing by novelist JT LeRoy, and a commissioned sound work by performer and composer Pamela Z.
SFMOMA Artcasts: February 2006 (no images) - SFMOMA's February Artcast features interviews with artists Janet Cardiff and Wangechi Mutu, Vox Pop commentary by SFMOMA visitors, new writing by novelist JT LeRoy, and a commissioned sound work by performer and composer Pamela Z.
SFMOMA Artcasts: "New Work: Wangechi Mutu" Gallery Exploration (enhanced with images) - Join artist Wangechi Mutu on a tour through her installation "The Chief's Lair is a Bloody Mess" (2005).
SFMOMA Artcasts: "New Work: Wangechi Mutu" Gallery Exploration (no images) - Join artist Wangechi Mutu on a tour through her installation "The Chief's Lair is a Bloody Mess" (2005).
SFMOMA Artcasts: December-January 2005 - SFMOMA's December-January Artcast features interviews with artists Bruce Conner, Peter Sarkisian, and Chuck Close, a commissioned performance by cellist Joan Jeanrenaud, and Vox Pop commentary by SFMOMA visitors.
SFMOMA Artcasts: "Chuck Close: Self-Portraits 1967-2005" Gallery Exploration - Join Chuck Close on a tour of his exhibition "Chuck Close: Self-Portraits 1967-2005"
SFMOMA Artcasts: "Kiki Smith: A Gathering, 1980-2005" Gallery Exploration - Join Kiki Smith on a tour of her exhibition "Kiki Smith: A Gathering, 1980-2005"
SFMOMA Artcasts: November 2005 - SFMOMA's November Artcast features Exhibition Highlights for the Chuck Close and Kiki Smith exhibitions, an interview with sculptor and installation artist Doris Salcedo, a Guest Take by sound and performance artist Pamela Z, and Vox Pop commentary by SFMOMA visitors.
SFMOMA Artcasts: "Robert Adams: Turning Back, a Photographic Journal of Re-exploration" - Presented as excerpts from the artist’s own writings, this SFMOMA podcast features photographer Robert Adams’s reflections on the legacy of the Lewis and Clark expedition and the impacts of human encroachment on the American landscape, as well as meditations on what is lost and what has been retained.