Oxford Art Journal - recent issues
Sun Apr 24 04:39:06 EDT 2011
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Philosophy Defeated: Truth and Vision in Leon Battista Alberti's Momus

The Pensive Image: On Thought in Jan van Huysum's Still Life Paintings

Representing Authenticity: Attitude and Gesture in Delaroche and Melodrama

'Maman is my Muse': The Maternal as Motif and Metaphor in Edouard Vuillard's Intimisme

Surrealism, Dada, and the Refusal of Work: Autonomy, Activism, and Social Participation in the Radical Avant-Garde

Critical Nostalgia in the Art of Joachim Koester

Art History, Ecocriticism, and the Ends of Man

Building Visions

Thinking with the Senses

Tahiti Revisited

The Poetics and Politics of Decoration

Early Relief Prints: Beyond the Aesthetic

Erratum

Abstracts

Notes on Contributors

Terror of the Bathroom: On Kawara's Early Figurative Drawings and Postwar Japan

Transgression, Excess, and the Violence of Looking in the Art of Kara Walker

The Inventor of Painting

Aby Warburg: Kulturwissenschaft, Judaism and the Politics of Identity

Breeding Modern Art: Criticism, Caricature, and Condoms in New York's Avant-garde Melting Pot

If the Grid Is the New Palm Tree of Latin American Art

Words, Gestures, Complicities, or The Fusion of Entertainment and Enlightenment

Beyond Looking

Achilles the Bitter: Gorky and the Genocide

Space, Illusion and Lived Realities in Early Renaissance Italy

Ends and Means

Photography in the Maker's Absence

Pale Riders: How a Band of Radical Outsiders Briefly Stole the New York City Art World (for the Better)

Abstracts

Notes on Contributors

Ernst Gombrich's Politics of Art History: Exile, Cold War and The Story of Art

Painting as Blur: Landscapes in Paintings of the Dutch Interior

Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose

Homeless Houses: Classifying Walker Evans's Photographs of Victorian Architecture

'A Sign of Good Taste': Andy Warhol and the Rise of Brand Image Advertising

Chronos Triumphant. Sculpture in Ancien Regime and Revolutionary France

Modernity at the Seaside

National and Notional Spaces

Hypermodernism in the Boondocks: Photo/Montage and the Czech Book

'Here, Too, Confusion Reigned'

Photography and Mindedness

Notes on Contributors